This album of contemporary organ repertoire features fascinating works that display a wide array of influences. Barry Jordan’s Praise Song, heard here its 2018 revision, draws on modern worship songs and African drumming rhythms, an element that also suffuses part of Thierry Escaich’s Évocation II, a work of electrifying intensity and vibrant color. Arvo Pärt’s starkly beautiful Annum per annum is featured alongside Theo Brandmüller’s last work Sternenklänge. Dialogue vers les étoiles by Christian von Blohn – a student of Brandmüller – acts as a moving posthumous dialogue with his teacher.
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Reviews
“… This [Thierry Escaich’s Evocation II] is the highlight of the album. Magdeburg Cathedral’s vast four-manual organ … is the perfect instrument for this challenging repertory. Blohn displays complete technical mastery and is a wholehearted advocate…”
Malcolm Riley – Gramophone magazine – October 2022
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